Perfecto Deli: A Deli For The Senses (2024)
A solo exhibit by Jose Solon Perfecto
Artist Statement:
“I liken the [concept of a] deli to the hermitage of a wizard, whom knights seek out before their quests, to bring good fortune, to find clarity, and to get closer to truth with magical items that light the way on roads riddled with darkness and mischief.
“Using my artist persona of the Hermit, I forged these objects with the blessings of the spirits from which the wild clays and ashes come from – to make amulets and talismans that, like wines and cigars, can offer a different sensory experience and taste each time you partake.”
Step into “Perfecto Deli: A Deli For The Senses” — a display of a hermit-artist’s inner sanctum through abstract expressionist ceramic sculptures.
In this solo exhibition, Jose Solon Perfecto furthers his myth-making approach to pottery with forms that stand in for oral traditions — recipes, superstitions, culture — to sate not merely appetites, but tastes.
Every year, Solon Perfecto retreats to his hermitage, where he forages clay and formulates his own ash glazes. Each of the 25 ceramic pieces in this collection is made of the artist’s signature Terroir Ceramics: seasonal, local, aged. From repetition and technique, the artist has achieved a degree of uniformity in the stoneware blend, but he does so in order for the wildness and volatility of the Terroir Ceramics to reveal themselves. While created on the pottery wheel, these ceramic sculptures submit to the artistic process — not unlike cheese, tobacco, or wine — that transforms vessels into a fine selection of oeuvres. Some, if not most, become exotic, as can be found in any deli, but indeed, here the delights are for the senses.
With the deli as an apothecary, a dispensary of salves for this modern world’s ailments, the artist is first to be poisoned, or to be healed. As an hermitage, he is able to escape the world and draw it in at once — one story to one traveller, one quest at a time.
If you find yourself here, you are on the right path.
Exhibit Text by Aussy A. Perfecto | Curated by Ram Lopez-Vito BucoySelected Press
Solon Perfecto hopes to articulate through his pieces the millennia-old stories that clay has to share. “The language clay speaks is ancient, and the stories it tells are in the memories of the forms the artist makes,” he says. With works ranging from traditional pottery to contemporary sculptures, Solon Perfecto asserts that the universality of the three-dimensional form needs no words but must be experienced through the senses.
- Franz Sorilla IV, Arts and Culture Editor of Tatler Philippines
Perfecto’s sculptures have tall, pointy hats, volatile glazed movements on the body, and slip brushstrokes that portray the nature and rural surroundings of his studio. Known for creating Terroir Ceramics, the stoneware blend of his sculptures features aged and fermented wild clay that Perfecto sourced around the foothills, river beds, and rice fields in La Union.
- Luis Espiritu, Society Editor and Lifestyle Columnist of Daily Tribune
“My concept for this exhibition was to draw the parallelism between natural processes in ancient kitchens making ales, wines, breads, cheese, and meats, and how I continue to move forward my techniques in what I’ve coined as Terroir Ceramics.”
Jose Solon Perfecto (2024)
Patrons of Arts, Culture, Education, and Heritage Cut the Ribbon for Perfecto Deli: A Deli For The Senses, A Conceptual Art Exhibit of Ceramics by Jose Solon Perfecto
Jose Solon Perfecto opened his third solo exhibition, Perfecto Deli: A Deli For The Senses, with a ribbon cutting ceremony led by his art patrons on November 20, 2024 at JJ Acuna/ Bespoke Studio in Comuna, Makati.
The artist was joined by Ram Lopez-Vito Bucoy, who is an esteemed decorator of homes as well as a curator of the auction house of Leon Art Gallery. This is not the first collaboration between Solon Perfecto and Lopez-Vito Bucoy.
During the pandemic, Lopez-Vito Bucoy curated Solon Perfecto’s ceramics for Shop/1335 Mabini in Karrivin Plaza and later, in the Elpidio Quirino room of the Laperal Mansion in the Malacanang Palace compound.
Lopez-Vito Bucoy used items from his private collection, including a Suzani tapestry from Jodphur, India and an antique sakang table to highlight the character that Solon Perfecto's ceramics bring into a room. He also included a vintage horse saddle mirror from India, a framed Ivatan vakul from Batanes, and an antique pottery lamp and Japanese nude painting, both from his own private collection.
Both Lopez-Vito Bucoy and Solon Perfecto share a love for heritage and warmth for provincial living, evident in the exhibit space.