Jose Solon Perfecto breaks down the fourth wall of early 2000s millennial culture: parasocial relationships, sex tapes and nudes, voyeurism, and infamy. Etudes in Nudes (2025) features drawings on ceramics of muses, friends, and patrons that have consented to their nudes to be exposed, put on display, and admired. Solon Perfecto used underglaze pencil on white stoneware bud vases, Fortune Empanadas, and distorted vessels to reflect the fluid and transparent appetites for sex, connection, and intimacy of his generation.